‘N Sync heartthrobs Lance Bass and Joey Fatone stretch their thespian muscles in their acting debut. A young man (Bass) is smitten with a girl (Emmanuelle Chriqui) he meets on a subway train and spends the rest of the movie trying to reunite with her. The man’s best friend (Fatone) helps him in his quest by wallpapering Chicago with posters and signs that soon become the talk of the town.
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It’s been more than 10 years since our last appointment at Calvin’s Barbershop. Calvin and his longtime crew, including Eddie, are still there, but the shop has undergone some major changes. Most noticeably, our once male-dominated sanctuary is now co-ed. The ladies bring their own flavor, drama and gossip to the shop challenging the fellas at every turn. Despite the good times and camaraderie within the shop, the surrounding community has taken a turn for the worse, forcing Calvin and our crew to come together to not only save the shop, but their neighborhood.
Shmuel, a Hasidic cantor in Upstate New York, distraught by the untimely death of his wife, struggles to find religious solace, while secretly obsessing over how her body will decay. As a clandestine partnership develops with Albert, a local community college biology professor, the two embark on a darkly comic and increasingly literal undertaking into the underworld.
Sarah Huttinger’s return home with her fiance convinces her that the sedate, proper, country-club lifestyle of her family isn’t for her – and that maybe the Huttinger family isn’t even hers – as she uncovers secrets that suggest the Huttingers are neither sedate nor proper.
The film chronicles the rise and fall of the world’s most feared drug lord Pablo Escobar and his volatile love affair with Colombia’s most famous journalist Virginia Vallejo throughout a reign of terror that tore a country apart.